Narrativas e Resiliência em “Jogo de Cena”

Resumo (EN)

This work entails the social narrativa role of resilience processes on Eduardo Coutinho director 2007 documentary film "Jogo de Cena". Resilience, a rather recent theme, yet, little studied in Communication, exception to the Communication of the Organizations studies. How much the narrativity of media products may generate of resilience processes at the spectators is so far unexplored and this subject is directly connected to the reality representing constructions presented by Boris Cyrulnik in the resilience processes. The research makes a parallel between theoretical concepts and the case of the said film under analysis, illustrating the role of the narrativa that finds reasons extracted from the imagination to transform and give new significance to an event. Sharing a story is to make socially acceptable and in the case of the movie, further than the immediate circle of the person. The objective was to demonstrate how the narrativa promotes processes of resilience and that "Jogo de Cena, taking advantage of the narrative, becomes hybrid, document /fiction, constituting instance media piece on which those processes are revealed. This work searches in the technical referrai the basis for the understanding of hidden process in the narrativa and exposes the relation between narrativa and resilience. Considering Edgard Morin hologram principie, that when in contact with a part it is possible to rebuild the whole, on Jogo de Cena, from personal stories - pieces- it is possible to rebuild other history- the History- conferring a social scope to the resilience process in the film.