. Paisagens sonoras presentes na história de vida de Wagner Tiso.

Resumo (EN)

n this article we propose to analyse the soundscape present in a narrative of a life history produced with the methodology adopted of the Museum of the Person. Using as theoretical groundwork concepts elaborated by R. Murray Schafer (2012) we chose the life history of the composer Wagner Tiso (1945) belonging to the collection of the Museum. From the information gathered in the recorded interviews, we have collected references that describe and circumstantiate the various soundscapes experienced by the musician, throughout his childhood and youth and that would be founders for the aesthetics of the Clube da Esquina, which Tiso actively participated in. Such information contributes to understanding how Tiso’s aesthetic thinking and creative process arises. For this investigation, we have selected testimonials resulting from interviews and have analysed several "hearing testimonies" (SCHAFER, 2012) of the musician. At the same time, the presence of the soundscape of the media song (VALENTE, 2003) is also observed, in order to verify how some works were incorporated into the artistic and intellectual thought of Tiso. This study concludes that the soundscape and its participating elements were fundamental to the development of the artistic thinking of Wagner Tiso and other members of the Clube da Esquina.