Meu nome é Bond. James Bond. Criação musical, paisagens sonoras e midiáticas da cinquentenária saga do agente secreto 007

Resumo (EN)

This thesis aims to explore the soundtrack of the films of the James Bond - 007 franchise under the theories that support the function of music in the cinema. The research methodology is based on the survey made on this filmography, selecting six products that highlight the protagonism of the secret agent. The most significant procedure is the selection of categories for the analysis of the films: enunciative mark, theme song, leitmotiv and open continuity. Applied to the narrative context, these categories resulted in the construction of tables that consequently led to the result of the analysis. The problematization lies in the validity of the franchise in the scope of the majors' production, both of soundtrack and narrativity. Thus, the hypothesis points to the loss of franchise identity in the soundscapes at the expense of the ideological argument of the contexts and gadgets of the Cold War. Among the theoretical references, Repetto helps to understand when music enters the scene, the technological concept of audiovision created by Michel Chion and refined by the franchise in his attempt to tune the world with Murray Shafer. In this way, the structure of this study is configured from a first chapter that focuses the interface of literary and cinematographic production. The second deals with music in film, partnerships, composers and majors. The third refers to the structure of the films. The fourth contains the corpus of the selected filmography and the fifth analyzes and interprets the main results of the research.