Forma e representação no filme “Cidade de Deus” – a configuração de adolescentes urbanos na mídia cinematográfica contemporânea do Brasil

Resumo (EN)

This work aims at to approach, inside of the general perspective of the Brazilian cinema contemporary, some questions of the current market of cinema in Brazil, verifying the dialogue that the current cinema keeps with the "new literary realism" Brazilian having for base the study of the film City of God (2002), by Fernando Meirelles and co-directed by Kátia Lund. ln more specific way, from City of God, I examine with devotion the forms and the representations of the urban adolescence of today in Brazil that the films configure to materialize this "new realism", as well as the aesthetic conceptions and concepts of that they make use to reach effect that have endorsement in punctuation elements applied advertising executive and videographic in the construction of a new cinematographic strategy. The objectives of this work still aim at to verify the critical result of the look of the spectator in relation to this new cinematographic workmanship. Possessing all the necessary requirements for this boarding, the film is the object of analysis in the search to evidence a possible imagetic innovation of the current Brazilian cinema, having as base three vectors: photograph, assembly and direction. I basically worked with the questions excited for the representation and the forms gifts in City of God, a time who are these the elements that concur so that if it studies the emergency of the directions gifts in the universe of the analyzed filmic workmanship.