Resumo (EN)
Bruce Lee, king fu star in the 70s, is still recognized as the best in his art. Reference to contemporary directors, keeps alive the ancient Chinese art. It is curious that Lee died 40 year ago. His stories captivated by the simple plot of the plasticity of choreography of the fighting, but just kicks and punches would be able to generate so much identification with the public? In this work, Lee’s art is submitted to the theories of Vladimir Propp, Algirdas Julien Greimas, José Luiz Fiorin and Joseph Campbell, the narrative level, and Marcel Martin, Ismail Xavier, Jacques Aumont level film, both associated with the teachings of the teacher Anna Maria Balogh, to know how the art of Lee developers and produces such identification with the public.
