Resumo (EN)
The main objective of this work is to present a study of the structures constructive that configure the image, analyzing the elements that make up, showing their meanings and significations. The point is the element that the study shows how main axis of this project, because it is from him and his movement to the formal elements (point, line and shape) that make up the image are presented. ln this sense, the manifestation of the line and the construction of the form are contextualized and their meanings were analyzed within a concept that supports the image as the first element communicational to be dominated by man. ln its trajectory and conceptual signified through the vision of a universe that is in constant change, its recognition happens from a syntactic model of visual reading, presented in the Corpus of this project, and that is in the process of observation, qualification and interpretation of the image the basis for the entire reading imagery.
The transmutation of the real image to a universe digitized is part of the second part of the project, which contextualizes the simulation of a perceptual reality based on the manifestation of the Pixel as well as its organization through algorithms which results in the building of an image-synthetic, live from the processing of elements that precede its visualization. The project promotes the discussion about the process of displaying the image-synthetic as well as the directness with which it is ,r·,r·o,:<oon and · ressignificada lhe u rnechanisms for the production of the image, by adapting their structures composition to a contemporary world, living in essence nano, Mimicked by the new apparatuses of communication, that reinvent the time of observation and determine the existence of a new reality imagery. A reality imbued with the monitors that oversee and multiply the image-synthetic, which resists only to retinal persistence.
